PDF Download Practicing: A Musician's Return to Music By Glenn Kurtz
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Practicing: A Musician's Return to Music By Glenn Kurtz
PDF Download Practicing: A Musician's Return to Music By Glenn Kurtz
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- Sales Rank: #390817 in eBooks
- Published on: 2008-11-19
- Released on: 2008-11-19
- Format: Kindle eBook
From Publishers Weekly
Waylaid from an early career as a classical guitarist, a teacher of the arts recounts his reimmersion in his music by undertaking an intensive regime of practicing. A serious artist is constantly plagued by the fear that he either has the gift or he doesn't, notes Kurtz, and that no amount of busy work can redeem him. Growing up in Great Neck, N.Y., in the 1970s, Kurtz tapped into the Guitar Workshop and mastered folk songs by the time he was 10; inspired by seeing Andrés Segovia perform, Kurtz envisioned a life devoted to music. He studied at Boston's New England Conservatory, where the key to success was constant practicing, and where he had to overcome a sense of the guitar's inferiority to other instruments. Trekking through Europe with other players, he was confronted with the economic exigencies of a musical career and eventually ceased practicing, to his great sorrow. In his mid-30s he took up the guitar again and gleans the painful lesson that although musical artistry may seem divine, mastery of the instrument is humbling and mundane. Kurtz's work contains a rich history of the classical guitar, including the work of Bach, Fernando Sor and Scott Joplin.
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From Booklist
Guitar was the young Kurtz's passion. From lessons as a child, through summers at a guitar camp where he learned aspects of performance, on to the New England Conservatory of Music in preparation for a solo career, and actually pursuing that career in Vienna, he describes the journey that led to the recognition that he wasn't cut out to be a performer. Practice is putting love into the music, he sees, and performance is sending that love to the listener. Including discussion of the history of the guitar and of the composers of music for it, he traces an odyssey that turns full circle 10 years later when he resumes playing for his own enjoyment. He bares his soul, relating his feelings during practice, audition, and performance, as well as his experiences with teachers, mentors, and other artists. Although Kurtz writes in stream-of-consciousness style, virtually everyone who is dedicated to getting the most out of music by playing it will appreciate his insights into the art of practice for the love of music. Hirsch, Alan
Review
“Graceful. . . . A lovely, unique book. . . . A personal journey [that] becomes universal, elevating all in the process.” —Los Angeles Times“A thoughtful and fluid meditation on the subject. . . . [Kurtz] might just compel you to call your old grade-school piano teacher to see if she's taking on any new students.”—The New York Times Book Review “A sensuous, evocative memoir about love lost and regained. . . . Kurtz has gone back to work on his guitar playing, and his devotion seems like a rebirth of self.” —San Francisco Chronicle Book Review“Absorbing . . . [Written] with uncanny sensitivity about his brief career as a professional performer.”—The Wall Street Journal
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